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1.618 Digital to join the Innovation In Music Conference 2017

Innovation In Music (InMusic) is a European music industry conference building on the success of previous conferences in 2013 and 2015. InMusic brings together researchers and professionals interested in the future of the music industry, from the artist through to the consumer.

The 2017 Innovation In Music Conference will be held at the University of Westminster’s Regent Street campus in the heart of Central London on 6-8 September 2017.

Conference Schedule

To purchase your tickets click here

See you there!
1.618 Digital Team

What YouTube’s Heatmap Is Really Saying About 360 Video

YouTube recently announced a new analytics tool for 360-degree and virtual reality content creators: heatmaps that illustrate where viewers are actually looking. The new tool allows creators to see exactly what parts of their video are holding a viewer’s attention, and for how long.

YouTube has also released some enlightening early statistics on how – and this is important – viewers currently engage with immersive content.

“Surprisingly” (says YouTube), viewers spend 75% of their time focused on the front 90 degrees of an immersive video. Understandably, this figure has a lot of people questioning the point of VR content if the audience is only willing to engage with a quarter of it.

It’s an easy argument to make, but perhaps what these numbers are really saying is that VR content creators need to learn new ways to grab viewers attention in a 360º world?

Ever since moving pictures became something we watched for entertainment purposes, our eyes have been guided by camera angles to tell us where to look. For over a century that’s what the viewing audience has come to expect.

Virtual reality reminds us very much of the 2D world of film and television, but it’s an entirely different medium with its own set of rules that are still being written. Nothing is set in stone.

And camera angles? Well, those are up to the viewer to choose.

Content creators in the virtual reality space have the difficult task of catching the attention of an audience with over 100 years of collective viewing experience of looking straight ahead.

Does this make virtual reality a fad? A gimmick? No, of course not. It simply means that VR can’t rely on the same tools that have been used for film and television to engage an audience in a fully-immersive format.

That’s a lot of unlearning to do for content creators, and a lot of new learning to do as the format develops. It’s an exciting new frontier.

Back to YouTube’s statistics: the most popular VR videos had the audience looking behind them almost 20% of the time. Markers and animation are what the company suggests will help draw attention to other parts of the surrounding space. In our day to day lives our attention is constantly guided by signs, so it’s a helpful suggestion. But think about this: what’s the one sure thing that will make you stop whatever you’re looking at and focus your attention elsewhere?

Sound…

We are programmed to react to sound. In a split second we must figure out where that sound is coming from and what it means. It is as true in the virtual world as it is in the real world, which is why 1.618 Digital is passionate about high-quality spatialised sound.

Spatial audio can be an effective tool to lead or surprise your audience.  By being in the habit of looking in one direction at any given time, the viewer can easily miss out on what is happening behind or beside them. Through the creative implementation of sonic cues within an immersive environment content creators can control or suggest a narrative. Ultimately, this encourages the audience to engage with specific elements – or viewing angles – within the experience.

Virtual reality is an effective form of visual storytelling. What YouTube’s early heatmap data points to isn’t VR’s failure to engage its viewers. It’s the bigger picture of where audience attention currently is, and the gaps content creators need to fill to direct it elsewhere.

1.618 Digital Team

1.618 Digital to join the panel at the Immerse UK event

Welcome to the Real World – Immersive Audio for Augmented and Virtual Reality

1.618 will be taking part in a panel discussion with the UK’s leading Immersive Audio experts. Join us as we talk about the latest cutting-edge work in immersive audio research, development and content design.

The event will cover everything from audio AR/VR creative process, application workflows and the potential for product development. This guarantees to be a truly interactive event, with teams demonstrating some of the most exciting immersive audio technology and experiences in the field.

Other speakers include:

  • Jelle van Mourik (Sony) – Immersive Audio in Games
  • Gavin Kearney (University of York) – Immersive Audio Research
  • Gareth Llewellyn (Mixed Immersion) – Immersive Audio Production for VR
  • Chris Pike (BBC) – Immersive Audio in Broadcast

The panel discussion will take place at 5.45pm-6.45pm on Wednesday 24th May 2017. Click here to register and get your free ticket: Ticket Registration

For more upcoming events hosted by Innovate UK click here

See you there!
1.618 Digital Team

1.618 to join the panel at The BVE 2017 Excel London

1.618 will be taking part in a panel of 3D audio experts at the BVE 2017 Expo Excel London on 2nd March. Join us as we discuss the next generation of immersive audio, covering everything from future technologies to next generation audio. We’d love to see you there!

Discussion topics will include:

Insights into the current and future technologies that will be taking the industry by storm

The role of object-based audio – how this will improve the customer experience.

Binaural audio – creating a really immersive sound for your audience

Will next generation audio take off – how far away are we?

The panel discussion takes place at 12.30-13.30 on Thursday 2nd March. You can get your free ticket here: Ticket Registration 

Check out what else is taking place at BVE on Thursday 2nd March here

See you soon!

1.618 Team

 

Welcome to the 1.618 Digital blog

We were going to write our first blog post about the technical aspects of creating spatial audio, but it’s rude not to introduce ourselves first and we’re a very friendly bunch.

1.618 Digital specialise in immersive 3D sound for VR/360 video content and sensory branding. That’s the sound you’d hear if you were to experience spatial audio content in a VR headset and headphones.

When creating virtual worlds or capturing 360 videos, sound plays an important role in ensuring that the audience remains engaged all the time. It’s important to maintain a strong link between your visuals, interaction and audio. We use the latest spatial audio technology to design and implement sounds to achieve a high degree of immersion and sense of presence within the experience. This is what will make your story or campaign stand out a mile and be remembered.

Don’t just take our word for it – Facebook, Google, Sony and Apple are all investing in 3D audio with Microsoft tipping the process as being a crucial element for perfecting the augmented reality experience. It’s all very exciting and fast-paced… which is why we’ve created this blog! We’ll be bringing you the latest industry news, bespoke content and project-based case studies so you can keep up with the world of virtual worlds without having to sift through over-complicated technical jargon. It’s time to get immersed!

1.618 Team