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ASMR – The Feeling Of Sound

Autonomous Sensory Meridian Response, more commonly known as ASMR, is one of the most curious phenomenons to grace the science of sound whilst maintaining a vast audience all across the globe. Through the power of the internet and word of mouth, more and more people are actively looking for videos of people scratching microphones, tapping fingernails and softly whispering into extremely sensitive mics, giving its listeners a sensory response like no other.

Sometimes described as Brain Tingles, Brain Massages and Brain Orgasms, listening to different triggers results in a small euphoric sensation for those that experience ASMR. The epicentre of the tingles and shivers, with the effects travelling down the shoulders and back (and, in some cases, to limbs), gives a sense of relaxation and peacefulness which some researchers believe may have positive effects on health and wellbeing. Not everyone responds to the same triggers, and some don’t have the response at all.

This is theorised to be linked to the perceptions of closeness and elements of care associated with certain sounds and sensations, which we as humans react to in the same way a child reacts to being held close to their mother, her hand running through their hair with comfort. It makes us feel safe and secure, and less troubled by the world around us because we’ve shut it out to focus our attention on these sensory triggers. So for someone looking for a sense of relationship and being cared for, ASMR offers a form of respite from the lack of those feelings, even if only in the short-term. One only has to search ASMR into Google or YouTube to find a plethora of channels and videos made by ASMRtists, freely accessible for the public to use to their heart’s content.

From what is to be considered the very first ASMR video uploaded by WhisperingLife in 2009 to new content being created every week, videos have evolved and changed to become more and more immersive with role-play and effects, yet they still hold true to their initial intended purpose of audible stimulation. The production of these videos can be complex – props, costumes, camera and SFX being elements in some examples – but in its simplest form, they only require the soft satisfying sounds and a binaural microphone to be effective. This acts to split the audio recorded into stereo sound through your headphones – one microphone for each ear that gives the illusion of closeness and proximity as the source of sound moves around you in a 3D space.

Scientifically speaking, there a is very finite amount of research materials on the subject – the term ASMR was only recently coined in 2010 by Jennifer Allen, with the most prolific of research conducted by the ASMR University, run by Dr Craig Richard. But since its rising popularity online, more and more material is being produced in the aid of the scientific exploration of ASMR. Worldwide surveys, academic papers/pieces and books are just some of the examples of media exploring new angles from biological to social influence to the deconstruction and study of each individual aspect that comes together to create the trigger.

To find out more about ASMR with interviews from a variety of experts and creators, listen to our Immersive Audio Podcast episode about ASMR on iTunes and Soundcloud!

 

Immersive Audio Podcast – Episode 11 ASMR The Feeling of Sound

Summary

In this special episode of the Immersive Audio Podcast, we explore the phenomenon of ASMR and talk to a variety of guests to understand how it works, the effect it has on an individual, the subculture surrounding it and the future of it as an art form.

This episode features the input of two of the top researchers in the study of ASMR: Dr Craig Richard, Professor of Biopharmaceutical Sciences at Shenandoah University in Virginia and founder of the ASMR University and Dr Diego Garro, Senior Lecturer of Music and Music Technology at Keele University in the UK. We also got the chance to talk to Avril Furness (VR Filmmaker) and Emma Smith aka WhispersRed (ASMRtist on YouTube), two London-based creative women who’ve worked with ASMR and Immersive Audio both separately and collaboratively.

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Featured Guests

Avril Furness is a pioneering Independent Director, Writer and Virtual Reality Filmmaker specialising in 360 and Action. Avril’s debut interactive 360 VR film The Last Moments was presented at New York’s Metropolitan Museum at their ‘In Our Time Symposium’, as part of their ‘Most exciting and critical spatial projects of 2017’ and at THE WIRED LIVE Event, London, 2017. It was nominated for ‘Best Director Award’ at Underwire and ‘Most Immersive Award’ at Encounters festival 2017. Recently Avril Directed an interactive live action 360 VR film in Beirut, Lebanon with The International Committee of The Red Cross. Avril is currently shooting a VR documentary in the flood tunnels beneath Las Vegas, Nevada; shot from the perspective of a homeless addict.

Dr Craig Richard is a Professor of Biopharmaceutical Sciences at Shenandoah University in Winchester, Virginia.  In 2014, he founded the website, ASMR University. Dr Richard has recently completed the book, “Brain Tingles” to assist others understand and apply the techniques, tools, and secrets for every ASMR trigger type.  This guide should be helpful for parents soothing infants or putting children to bed, friends relaxing each other, partners stimulating tingles in each other, creators of ASMR media, and practitioners of relaxation techniques at spas, wellness centers, and health studios.

Dr. Diego Garro is a senior lecturer at Keele University, where he contributes to the Music Technology and Music programmes. His teaching focuses on Electroacoustic Music, Music Technology and Computer Video Art. His research interests lie in creative electronic media and his output includes audio and audio-visual works which are regularly selected and performed in UK and abroad. He has also has a research interest in ASMR (Autonomous Sensory Meridian Response) and contributes to the ASMR community with writings, reviews and content under the pseudonym Vobis ASMR.

Known as Emma WhispersRed, Emma Smith was born in Lancaster by the northwest coast of England and moved to London at age 18. She lives with her husband, two children and two dogs amongst fields just outside the chaos of the city. She is an ASMR content creator on YouTube and films her videos in a soundproof shed in my garden, ‘The Tingle Shed’.

Shownotes

ASMR University – https://asmruniversity.com/

ASMR University Research Project – https://asmruniversity.com/asmr-survey/

ASMR University Research Project Survey – https://www.surveymonkey.com/s/ASMRsurvey

Autonomous Meridian Sensory Response – From Internet Subculture to Audiovisual Therapy by Dr Diego Garro – https://ewic.bcs.org/content/ConWebDoc/58105

Avril Furness and Emma Smith 360º ASMR Video – http://www.avrilfurness.com/project/360-audio-sensory-meridian-response-vr-sound-healing-film/

Black Mirror IMDb Page – https://www.imdb.com/title/tt2085059/

Book Pre-order for Dr Richard – https://www.amazon.com/Brain-Tingles-Triggering-Head-Toe/dp/150720762X

Bristol Museum & Art Gallery – https://www.bristolmuseums.org.uk/bristol-museum-and-art-gallery/

Bristol Museum & Art Gallery, Death: The Human Experience https://www.bristolmuseums.org.uk/bristol-museum-and-art-gallery/whats-on/death-human-experience/

Dignitas Clinic – http://www.dignitas.ch/?lang=en

The Goon Show on BBC iPlayer – https://www.bbc.co.uk/programmes/b0072vdz

The Joy of Painting with Bob Ross on Youtube – https://www.youtube.com/channel/UCxcnsr1R5Ge_fbTu5ajt8DQ

Keele University – https://www.keele.ac.uk/

Keele University Faculty, Dr Diego Garro – https://www.keele.ac.uk/music/people/diegogarro/

The Last Moments Dignetas VR experience – http://www.avrilfurness.com/project/the-last-moments/

Oculus Rift Official Site – https://www.oculus.com/rift/

Shenandoah University – https://www.su.edu/

Shenandoah University Faculty, Dr Craig Richard – https://www.su.edu/faculty-staff/faculty/craig-richard/

WhisperingLife on Youtube – https://www.youtube.com/user/WhisperingLife

WhispersRed on Youtube – https://www.youtube.com/user/WhispersRedASMR

 

 

Immersive Audio Podcast – Episode 9 James Edward Marks

Summary

In today’s episode we’re joined by James E. Marks, an experimental new media provocateur. He is a creator of award-winning social video edutainment, and maker of immersive mixed and virtual reality experiences. With over 20 years of hands-on collaborations with alternative, pop culture branded and unbranded entertainment, James is Co-Founder & Chief Marketing Officer for DoubleMe, a Silicon Valley transformative tech start-up that’s pushing the boundaries of holographic mixed reality. He is also the founder of PsychFi Lab & Hackstock Festival. At PsychFi, he collaborates with the biggest social video & moving image artists, exploring immersive tech, psychology, psychedelia, sci-fi and pop culture.

In this episode we discuss the importance of sound and all senses in an immersive experience, new technology and how it has changed the approach to composing.

Listen to Podcast

Shownotes

MWC18 & BBC Click – Mixed Reality For Social Good: https://youtu.be/N97MHHO4XHM

#HackThePlanet & ComiCon VR World Record Setters: https://youtu.be/FRupTnhW3UM

Harry Shotta, DJ Phantasy, 24SevenTV & PsychFi Labs: https://youtu.be/ZJfD71bMl_Y

Hackstock 4.0 & LoopSpace World Premiere: https://youtu.be/Z7X1ejKmXU0

PZYK & PsychFi Top Alt Reality Experience: https://blog.oup.com/2018/03/virtual-reality-games-simulate-altered-states

PsychFi & Webby Awards: https://www.webbyawards.com/winners/2016/online-film-video/general-film/vr-gaming-interactive-or-real-time/hacktheplanet-vr

Summer in the City: http://www.sitc-event.co.uk

GoPro: https://gopro.com/

Subpac: http://subpac.com/

HoloLens: https://www.microsoft.com/en-gb/hololens

Holoportal: http://www.doubleme.me/#holoportal

Third Mind Productions: http://www.thirdmindcreates.com/

DoubleMe: http://www.doubleme.me/

Hackstock: https://sci-fi-london.com/hackstock-stuff-we-are-doing

 

1.618 Digital to join Czech VR Fest 2018

We are delighted to announce that 1.618 Digital will be attending the Czech VR Fest 2018 in Prague, Czech Republic. The Czech VR Fest is now in its second year and will be taking place from the 10th until the 12th of May. Oliver Kadel will be giving a presentation on Immersive and Interactive Audio on the 10th of May at 17.30. If you are attending the festival, be sure to drop by and say hello.

Tickets and more information about the Czech VR Fest, including a list of speakers can be found here: https://www.czechvrfest.com

1.618 Digital Team

Immersive Audio Podcast – Episode 8 Damian Murphy

Summary

Today Oliver is joined in the studio by Professor Damian Murphy. Damian is a Professor of Sound and Music Computing at the Department of Electronic Engineering, University of York, where he has been a member of academic staff since 2000, and is the University Research Champion for Creativity. He started his career in the Performing Arts Department at Harrogate College and has previously held positions at Leeds Metropolitan University and Bretton Hall College.

His research focuses on virtual acoustics, spatial audio, physical modelling, and audio signal processing. This research formed the basis of the Surrounded by Sound project that was selected for inclusion in the Royal Society’s Summer Science Exhibition in July 2001, and he was also co-author of SoundFX – Making Music with Technology, the 2004 IEE touring Faraday Lecture.

He has been principal investigator on a number of AHRC and EPSRC funded projects relating to room acoustics simulation and auralisation, and published over 130 journal articles, conference papers and books in the area. He is a member of the Audio Engineering Society, a Fellow of the Higher Education Academy, and a visiting lecturer to the Department of Speech, Music and Hearing at KTH, Stockholm, where he specialises in spatial audio and acoustics. He has held visiting researcher status at a number of universities internationally.

Prof. Murphy is also an active sound artist and in 2004 was appointed as one of the UK’s first AHRC/ACE Arts and Science Research Fellows, investigating the compositional and aesthetic aspects of sound spatialisation, acoustic modelling techniques and the acoustics of heritage spaces. His work has been presented in galleries nationally and at festivals and venues internationally and included varied collaborations with writers, photographers and interactive digital artists. He is a founding member of Geodesic Arts through which most of his more recent work has been produced.

In this episode, Damian discusses entering into academia and recreating the acoustics of environments.

Listen to Podcast

Shownotes

University of York: https://www.york.ac.uk/

University of York: Masters in Audio & Music Technology: https://www.york.ac.uk/electronic-engineering/postgraduate/taught_masters_degrees/msc_audio/

Dave Malham: https://www.york.ac.uk/music/staff/honorary/dave-malham/

Computer Music Journal: http://www.computermusicjournal.org/

Professor David Howard: https://pure.york.ac.uk/portal/en/researchers/david-martin-howard(ecfa9e9e-1290-464f-981a-0c70a534609e).html

University of York: Department of Music: https://www.york.ac.uk/music/

University of York: MA/MSc in Postproduction with Sound Design: https://www.york.ac.uk/tftv/postgraduate/taught/postproduction-sound//

AECOM: http://www.aecom.com/

Alex Southern: https://uk.linkedin.com/in/asouthern

Geodesic Arts: http://geodesicarts.org.uk/

Me, Myself and MRI: http://memyselfandmri.org/

York Minster: https://yorkminster.org/home.html

Louise K. Wilson: http://www.lkwilson.org/

David Chapman: http://davidchapman.info/

Music excerpt by AudioLab, Department of Electronic Engineering, University of York and Ebor Singers.

Immersive Audio Podcast – Episode 7 Aaron McLeran

Summary

In today’s episode Oliver was joined via Skype by Aaron McLeran, Lead Audio Programmer at Epic Games. Aaron’s first taste of audio programming was writing computer music in CSound while in graduate school at University of Notre Dame (when he was supposed to be doing astrophysics research). Realising his true calling, he left physics to study procedural and interactive computer music, audio synthesis, and audio analysis with Dr. Curtis Roads at the University of Santa Barbara. His first game audio experience was writing procedural music on Spore where he got to collaborate with Brian Eno and Maxis’ audio director Kent Jolly on writing much of the game’s truly procedural music. His next game audio gig was a sound designer on Dead Space 2 where he wrote much of the games interactive audio systems in Lua along with accomplished audio director Don Veca. He made the leap from technical sound designer to audio programmer at Sledgehammer Games where he worked on Call of Duty: Modern Warfare 3 and Call of Duty: Advanced Warfare. His next audio programming gig was at ArenaNet where he got to wrangle with the unpredictability and scale of game audio in the context of an MMO and developed some pretty cool tech around for player-created music and musical interaction. He’s currently working on a new multi-platform audio mixer backend for UE4 and developing new tech and approaches to game audio for VR.

Aaron speaks to Oliver about all things Game Audio and Procedural Audio and his unusual entry into the industry.

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Shownotes

Super Collider: https://supercollider.github.io/

UC Berkeley: Centre for New Music and Audio Technologies: http://cnmat.berkeley.edu/

Maxis: https://www.ea.com/studios/maxis

Spore: http://www.spore.com/

Brian Eno: http://www.brian-eno.net/

Andrew Lackey: https://www.linkedin.com/in/andrewlackey

Wabi Sabi Sound: http://www.wabisabisound.com/

Kent Jolly: http://www.imdb.com/name/nm0427204/

EA Games: https://www.ea.com/en-gb

UC Santa Barbara: https://www.ucsb.edu/

Curtis Roads: http://www.music.ucsb.edu/people/curtis-roads

Sledgehammer Games: https://www.sledgehammergames.com/

Travis Naas: https://www.linkedin.com/in/tnaas

Activision: https://www.activision.com/

Call of Duty: Infinite Warfare: https://www.callofduty.com/uk/en/infinitewarfare

Dave Swenson: https://www.linkedin.com/in/dave-swenson-3b5b376

Epic Games: https://www.epicgames.com/

Unreal Engine 4: https://www.unrealengine.com/en-US/blog

Ethan Geller: https://www.linkedin.com/in/ethan-geller-7684133a

Game Developers Conference: http://www.gdconf.com/

FMOD: https://www.fmod.com/

Dan Reynolds: http://www.musicianeer.com/

Steam Audio: https://valvesoftware.github.io/steam-audio/

Oculus: https://www.oculus.com

Valve: http://www.valvesoftware.com/

Fortnite: https://www.epicgames.com/fortnite

 

Immersive Audio Podcast – Episode 6 Catherine Robinson

Summary

In today’s episode we are joined in studio by Catherine Robinson, Audio Supervisor at BBC Wales. Catherine has worked in radio sound for the BBC since 2001. Her specialism is sound design for radio drama, binaural audio and 3D sound for 360 video and VR. Catherine created the sound design and binaural mix for Ring, a horror radio drama for Radio 4. Following the success of that, Catherine has set up the first operational 3D sound studio in the BBC outside Research and Development, using their tools.

Some of the binaural productions that have been created in the 3D studio are: The Russell T Davies adaptation of A Midsummer Night’s Dream, which was the first ever binaural feature film; six 360 films for Planet Earth 2 using dynamic binaural sound design; and an episode of Doctor Who called ‘Knock Knock’ which is the first binaural TV drama to be made available on BBC iPlayer.

Catherine discusses her role at the BBC, the first binaural episode of a TV program available on the BBC iPlayer – Doctor Who, how content will drive immersive audio consumption and bringing immersive audio to the masses.

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Show notes

Middlesex University London: http://www.mdx.ac.uk/

BBC: https://www.bbc.co.uk/

BBC Wales: https://www.bbc.com/wales

BBC Radio Wales: https://www.bbc.co.uk/radiowales

BBC Radio 4: https://www.bbc.co.uk/radio4

BBC Research and Development: https://www.bbc.co.uk/rd

Ring – By Koji Suzuki. Adapted by Anita Sullivan: http://www.bbc.co.uk/programmes/b06g63fk

The Stone Tapes – Peter Strickland re-imagines a classic seventies horror for Radio 4’s Fright Night: http://www.bbc.co.uk/programmes/b06g63fh

Fright Night : http://www.bbc.co.uk/programmes/p03328l0

Binaural Audio at the BBC Proms: http://www.bbc.co.uk/rd/blog/2016-09-binaural-proms

Tom Parnell: http://www.bbc.co.uk/rd/people/tom-parnell

Doctor Who: Binaural Episode: https://www.bbc.co.uk/programmes/p051x29z

Darran Clement: https://www.linkedin.com/in/darran-clement-00313b55

A midsummer night’s Dream – Classic Shakespeare play adapted for television by Russell T. Davies:

http://www.bbc.co.uk/programmes/b07dx7lt

Brian Minchin: http://www.imdb.com/name/nm1848198/

BBC Binaural Sound: https://www.bbc.co.uk/rd/projects/binaural-broadcasting

BBC Radio 4 – Pod Plays: https://www.bbc.co.uk/programmes/p05b8wfv

Damming the Nile: Explore with 360 video: http://www.bbc.co.uk/news/world-africa-43117710

Becky Lipscombe – BBC Africa Producer – Twitter: https://twitter.com/Beckstatic

BBC Radio Wales: The Sounds of Wales: http://www.bbc.co.uk/programmes/p05zrd8y

Hugh Huddy: https://www.linkedin.com/in/hugh-huddy-0b23562/Royal National Institute of Blind People: http://www.rnib.org.uk/

Immersive Audio Podcast – Episode 5 Samuel Huber

Summary

Today we are joined in the studio by Samuel Huber, the founder of Admix.in, the first adtech platform for mixed reality, giving VR, AR and MR developers the best tools to monetize their content. He frequently speaks at VR, AR and adtech conferences  and is obsessed with the convergence of frontier technology, adtech, and consumer behaviour. Sam has previously disrupted the e-commerce market with Kout.io, a gamified e-commerce platform where users play free games to win their shopping basket, live with 20 of the largest retailers. He is a social gambling pioneer with Betify, a gamified video sharing app. He built and sold Rogue Trader, the first binary trading game on the App Store. In a previous life, Sam was responsible for Mercedes Formula 1 engine strategy (season 2011/2012). He has a MSc Engineering from Cranfield

Uni (UK), BSc Physics from EPFL (Switzerland) and Uppsala Uni (Sweden).

Sam discusses Admix and advertising in a non-intrusive way, monetisation solutions and the importance of audio in VR advertising.

Listen to Podcast

Shownotes

Admix: http://admix.in/

Oculus Rift: https://www.oculus.com/rift/

Samsung Gear VR: http://www.samsung.com/global/galaxy/gear-vr/

Face Your Fears: https://www.oculus.com/experiences/gear-vr/1168200286607832/

Unity: https://unity3d.com/

Unreal Engine: https://www.unrealengine.com/en-US/what-is-unreal-engine-4

HTC Vive: https://www.vive.com/uk/product/

Oculus Go: https://www.oculus.com/go/

Immersive Audio Podcast – Episode 4 Sally-Anne Kellaway

Summary

In today’s episode we are joined by Sally-Anne Kellaway via Skype. Sally is the Senior Audio Designer on the Microsoft Mixed Reality – Audio and AI team, and an industry leading VR Audio Evangelist.

She has extensive experience in sound recording, editing, implementation and testing for interactive media in standard and VR/AR and has an interest in implementing true 3D spatial hearing and binaural sound in video games and other interactive experiences. She is the founder of the Virtual Reality Content Creators Network of Australia (VRCC)  which is a not for profit community for virtual reality and associated industries. The VRCC advocates for innovation and connection for all professionals working in virtual, augmented and mixed reality industries in Australia.

Previously the Creative Director at OSSIC, the leading audio technology providers active in the VR space, she has a Masters in Acoustics with a focus on psychoacoustics and spatial audio from the University of Sydney. Sally-Anne is sought after by VR and AR developers, Software and Middleware developers, Conferences, Meetup Groups and Panels to develop and consult on sound design, implementation, tutorials and presentations. She is the Founder of the Women/NB in VR Group for Australia and co-organiser of the San Diego VR community group and is on the AES Technical Committee for Game Audio (Spatial Audio) and on the Diversity and Inclusion Working group.

Sally is a vocal advocate for VR, AR and MR as the future of audio, entertainment and industry and uses her education in Sound Design, Acoustics and Psychoacoustics to rise the tide for all audio professionals passionate about the future.

In this episode, Sally-anne speaks about head-tracking, the future of Audio AR, and diversity in the industry.

Listen To Podcast

Shownotes

Sally-anne Kellaway: http://soundsbysal.weebly.com

University of Sydney: https://sydney.edu.au/

The Virtual Barbershop: https://www.youtube.com/watch?v=IUDTlvagjJA

OSSIC: https://www.ossic.com/

Audio Engineering Society: http://www.aes.org/

Virtual Reality Content Creators of Australia: http://www.vrcc-aus.rocks/

The Wave VR: http://thewavevr.com/

Zero Latency VR: https://www.zerolatencyvr.com/

1.618 To Join The Panel at The BVE 2018 Excel London

1.618 Digital will be taking part in a panel at The Storyteller Theatre at the BVE 2018 Expo Excel London. Oliver Kadel will be discussing the use of immersive audio in modern storytelling, covering everything from future technologies to next generation audio. We’d love to see you there!

The panel discussion takes place on the 1st of Match at 12.30. You can get your free ticket here: Ticket Registration

Check out what else is taking place at BVE 2018.

 

See you soon!

1.618 Team