All three VR films that East City Films produced and created with the Illinois Holocaust Museum & Education Center will be exhibited as part of the VR spotlight at this year’s SXSW festival in Austin, Texas.
This is a chance to see:
WalkToWesterbork directed by Mary Matheson, and featuring incredible Holocaust survivor Rodi Glass, and a story set in Holland and France. Walk to Westerbork is a story of luck, defiance and love for family. Showing the capacity of the human spirit to not only survive but thrive.
EscapeToShanghai directed by Charlotte Mikkelborg, is the story of Doris Fogel and her mother’s escape from Nazi Germany to Shanghai, China. Doris sheds light on a lesser-known, but important part of the Holocaust never to be forgotten. Escape to Shanghai captures the fierce perseverance of Doris and her family as refugees fighting for survival.
LettersFromDrancy directed by Darren Emerson, is the story of Marion Deichmann as she recounts her daring childhood journey across the borders of Northern Europe during WW2 with her mother Alice, her painful separation from her mother, her escape from the Nazis with the help of the French Resistance in Paris, and her survival of D-Day in Normandy.
#SXSWpanel! Rodi Glass and Marion Deichmann, two of the Holocaust survivors featured in the film, will be taking part in a special panel alongside East City Films and the Illinois Holocaust Museum & Education Center talking about the journey of making these films, and the importance of using new technologies to secure these stories are told to generations to come.
For this episode of the Immersive Audio Podcast, Oliver Kadel is joined via Skype by Dave Malham, ambisonics researcher, retired Experimental Officer at the University of York and half of the team behind the FuMa format.
Dave Malham’s professional interests are in digital audio and related computing systems, post-stereo multidimensional sound projection systems such as ambisonics, electroacoustic music and recording engineering. He worked in the Department of Music from 1973 to 2012 and was Experimental Officer in the Music Research Centre with special responsibility for the Music Technology Group, which he helped found in 1986.
During the 1980s he was responsible for the hardware and low level software that enabled the Composers Desktop Project computer music system to be realised on Atari ST computers. He developed this into the Audio Design SoundMaestro digital audio editing system.
Since then he has been responsible for the design of the Focusrite Blue245 20 bit, the Audio design PB4 18 bit and PB4+ 24bit stereo audio ADCs, as well as the microcontrollers, sensors and RF link technologies for the RIMM project and the hardware for Craig Vear’s “Singing, Ringing Buoy” project. He has written a number of VST plugins for ambisonic processing, the “MRC Stereometer” which implements Bob Katz’s K-system metering system as a VST plugin and, with Matt Paradis, the “ambilib” ambisonic processing library for PD as well as Max/MSP.
His research relates to digital audio, signal preservation, sound spatialisation and recording techniques. He has engineered 18 LPs and CDs and has edited several others. His research topics include advanced sound spatialisation technologies, the applications of spatialisation systems in musical composition and the development of sensing devices for musical performance applications. He has been an Audio Engineering Society member since 1975 and he has a patent, WO02085068, for the Ambisonic Sound Object Format.
Today, Oliver and Dave discuss the impact that Malham has had on the Immersive Audio industry we know today, audio production in the 70s and 80s, and the advancements of ambisonics into the digital era.
This episode was produced by Abbigayle Bircham, Gillian Duffy, Oliver Kadel, Felix Thompson and included music by Knobs Bergamo.
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